Edition Michael Procter

Renaissance choral music

Editions of sacred renaissance vocal music by the late Michael Procter

Editions of sacred
renaissance music by the late Michael Procter.
Revised and made available by Robin Rigby.
The Peacock Press
For copies (not digital copies), please contact
The Peacock Press
telephone +44 1422 882751
10 voices
EMP1244 Aichinger, Gregor Miserere mei, Deus
SAATB SAATB Psalm-Motet, Penitential £6.00
A setting on the same scale as those of Andrea Gabrieli, through-composed with no chant sections and lasting about 15 minutes.
EMP1276 Gabrieli, Giovanni Jubilate Deo a 10 (1615)
a 10: see description Respond, Office of the Dead £7.10
This setting from Gabrieli’s posthumous 1615 collection of Symphoniae Sacrae, is – like the piece in the 1613 print - a setting of a composite text which seems to relate to the Nuptial Mass: it is not a straightforward setting of Psalm 100 (the Anglican’s ‘Jubilate’ from Matins.) The print specifies only two voices, Mezzosoprano (high countertenor) and Tenor, with the following instruments: 2 cornetti and bassoon, 5 trombones, and organ. All except the highest cornetto part (even the lowest Bass which descends to low C) are marked 'e Voce si placet', so the piece may be performed with as many singers are available.The overall cleffing is: MT (solo voices); TrSATTTBSb, org. It opens with an (optional) instrumental Sinfonia for all 10 instruments.
EMP1686 Gabrieli, Giovanni Jubilate Deo a 10 (1615)
a 10: see description Respond, Office of the Dead £22.50
A set of parts.
12 voices
EMP1330 Croce, Giovanni Plaudite psallite
SMAT SATB ATBB £10.30
EMP1275 Gabrieli, Giovanni Exaudi Deus à 12 (1615)
a 12: see description Respond, Office of the Dead £6.00
A setting of the first three verses of Psalm 54 (55). The opening of the Psalm is set as an Offertory during Lent; this large-scale setting was presumably for a non-liturgical performance. Scored for three choirs, SMAT TBaBSb SATB: the third choir is the vocal Capella, Choir I would normally be a solo Tenor with three high instruments, Choir II a solo Tenor with three low instruments.
EMP1681 Gabrieli, Giovanni Exaudi Deus à 12 (1615)
a 12: see description Respond, Office of the Dead £4.75
The vocal score omits the instrumental parts: Cantus, Altus and Octavus from Primus chorus and Quintus, Nonus and Bassus from Secundus chorus.
EMP1682 Gabrieli, Giovanni Exaudi Deus à 12 (1615)
a 12: see description Respond, Office of the Dead £4.00
The Primus chorus with Basso pro organo
EMP1683 Gabrieli, Giovanni Exaudi Deus à 12 (1615)
a 12: see description Respond, Office of the Dead £4.00
The Secundus chorus with Basso pro organo
EMP1684 Gabrieli, Giovanni Exaudi Deus à 12 (1615)
a 12: see description Respond, Office of the Dead £4.00
The Tertius chorus (capella) with Basso pro organo
EMP1685 Gabrieli, Giovanni Exaudi Deus à 12 (1615)
a 12: see description Respond, Office of the Dead £25.50
A set of parts.
EMP1286 Hassler, Hans Leo Missa sine nomine a 12
a 12: see description Mass Ordinary, General Use £15.10
This is the largest-scale mass by Hassler, and is interesting on a number of counts. (i) It is a reworking of his only 8-voice Mass; (ii) its scoring varies not only from one to three 4-voice choirs but the first Kyrie is for two 5-voice choirs (the Christe just for one of these); (iii) the Credo is for two 4-voice choirs (the Crucifixus for four voices). Most unusually, it is in vocal clefs throughout, and is thus one of the few pieces of this size which can legitimately be sung 'a capella', although instrumental doubling is entirely authentic practice. The piece is in high clefs and is offered a 4th lower.
EMP1606 Hassler, Hans Leo Missa sine nomine a 12
a 12: see description Mass Ordinary, General Use £18.50
A set of parts for use with our full score comprising (i) a set of ten (2 five part choirs with alternative alto parts) for Kyrie I and Christe and (ii) a set of twelve (three five part choirs) for Kyrie II, Gloria, Credo, Sanctus, Agnus dei.
other
EMP0820 Croce, Giovanni Duo Seraphim clamabant
SSATB (+SATB) bc Holy Trinity £4.00
One of the shorter pieces in the 1610 collection. It has - naturally - a duo for 'Duo Seraphim' and a trio for 'Tres sunt', and only two tutti passages with the Ripieno, the second with a concluding 'Alleluia'.
EMP1628 Croce, Giovanni Duo Seraphim clamabant
SSATB (+SATB) bc Holy Trinity £3.00
One of the shorter pieces in the 1610 collection. It has - naturally - a duo for 'Duo Seraphim' and a trio for 'Tres sunt', and only two tutti passages with the Ripieno, the second with a concluding 'Alleluia'. This is the ripieno score.
EMP1642 Croce, Giovanni Duo Seraphim clamabant
SSATB (+SATB) bc Holy Trinity £8.50
One of the shorter pieces in the 1610 collection. It has - naturally - a duo for 'Duo Seraphim' and a trio for 'Tres sunt', and only two tutti passages with the Ripieno, the second with a concluding 'Alleluia'. This is the score and parts for the ripieno chorus and basso continuo.
EMP0827 Croce, Giovanni Incipite Virgini
SMATTB (+SATB) bc Marian Feasts £4.75
A splendid piece, which seems to be a unique setting of the text. It is one of the larger-scale pieces in the 1610 collection, with the solo group itself divided into two trios
EMP1137 Croce, Giovanni Incipite Virgini
SMATTB (+SATB) bc Marian Feasts £4.75
A splendid piece, which seems to be a unique setting of the text. It is one of the larger-scale pieces in the 1610 collection, with the solo group itself divided into two trios. This version is a fourth below the high-pitch original.
EMP1632 Croce, Giovanni Incipite Virgini
SMATTB (+SATB) bc Marian Feasts £3.00
A splendid piece, which seems to be a unique setting of the text. It is one of the larger-scale pieces in the 1610 collection, with the solo group itself divided into two trios. This is the ripieno score, a fourth below the high-pitch original.
EMP1646 Croce, Giovanni Incipite Virgini
SMATTB (+SATB) bc Marian Feasts £8.00
A splendid piece, which seems to be a unique setting of the text. It is one of the larger-scale pieces in the 1610 collection, with the solo group itself divided into two trios. This is the set of parts for the ripieno chorus and basso continuo.
EMP0832 Croce, Giovanni Jubilate Deo omnis terra
SSB (+MATB) bc Psalm at Lauds, Christmas £4.00
This splendid piece opens the 1610 collection. Like all the pieces in the collection it is scored for a group of soloists, and a 4-voice Ripieno which can be doubled or tripled in different parts of the church.
EMP1619 Croce, Giovanni Jubilate Deo omnis terra
SSB (+MATB) bc Psalm at Lauds, Christmas £3.00
This splendid piece opens the 1610 collection. Like all the pieces in the collection it is scored for a group of soloists, and a 4-voice Ripieno which can be doubled or tripled in different parts of the church. This is the Ripieno score.
EMP1633 Croce, Giovanni Jubilate Deo omnis terra
SSB (+MATB) bc Psalm at Lauds, Christmas £8.50
This splendid piece opens the 1610 collection. Like all the pieces in the collection it is scored for a group of soloists, and a 4-voice Ripieno which can be doubled or tripled in different parts of the church. This is a set of parts for the ripieno choir and basso continuo.
EMP0840 Croce, Giovanni O viri Veneti
SATTB (+SATB) bc Assumption BVM (August 15) £4.75
This is one of the pieces assumed to have been composed for performance at one of the Venetian Scuole Grande, where Croce was in charge of the musicians during his position as Vice-Maestro at San Marco. It has a text which can be adapted to suit any Saint, male or female (the published text refers to 'beatus N/beata N' for example), and includes a prayxer for 'fraternitatem istam', i.e. this Confraternity. The piece is available in adapatations to any Saint, this version has the original text.
EMP1136 Croce, Giovanni O viri Veneti
SATTB (+SATB) bc Assumption BVM (August 15) £4.75
This is one of the pieces assumed to have been composed for performance at one of the Venetian Scuole Grande, where Croce was in charge of the musicians during his position as Vice-Maestro at San Marco. It has a text which can be adapted to suit any Saint, male or female (the published text refers to 'beatus N/beata N' for example), and includes a prayxer for 'fraternitatem istam', i.e. this Confraternity. The piece is available in adapatations to any Saint, this version is in honour of the Blessed Virgin Mary.
EMP1625 Croce, Giovanni O viri Veneti
SATTB (+SATB) bc Assumption BVM (August 15) £3.00
This is one of the pieces assumed to have been composed for performance at one of the Venetian Scuole Grande, where Croce was in charge of the musicians during his position as Vice-Maestro at San Marco. It has a text which can be adapted to suit any Saint, male or female (the published text refers to 'beatus N/beata N' for example), and includes a prayxer for 'fraternitatem istam', i.e. this Confraternity. This version is in honour of the Blessed Virgin Mary. This is the ripieno score.
EMP1639 Croce, Giovanni O viri Veneti
SATTB (+SATB) bc Assumption BVM (August 15) £8.00
This is one of the pieces assumed to have been composed for performance at one of the Venetian Scuole Grande, where Croce was in charge of the musicians during his position as Vice-Maestro at San Marco. It has a text which can be adapted to suit any Saint, male or female (the published text refers to 'beatus N/beata N' for example), and includes a prayxer for 'fraternitatem istam', i.e. this Confraternity. This version is in honour of the Blessed Virgin Mary. This is the set of parts for the ripieno chorus and basso continuo.
EMP0845 Croce, Giovanni Psallite Deo nostro
MATTTB (+MATB) bc Antiphon, Vigil of Epiphany £4.75
This is one of the larger-scale pieces from the 1610 collection, with sections for different groups of soloists and no less than five tuttis with the Ripieno.
EMP1630 Croce, Giovanni Psallite Deo nostro
MATTTB (+MATB) bc Antiphon, Vigil of Epiphany £3.00
This is one of the larger-scale pieces from the 1610 collection, with sections for different groups of soloists and no less than five tuttis with the Ripieno. This is the ripieno score.
EMP1644 Croce, Giovanni Psallite Deo nostro
MATTTB (+MATB) bc Antiphon, Vigil of Epiphany £8.00
This is one of the larger-scale pieces from the 1610 collection, with sections for different groups of soloists and no less than five tuttis with the Ripieno. This is the set of parts for the ripieno chorus and basso continuo.
EMP0846 Croce, Giovanni Quasi stella matutina
ATB (+SATB) bc Marian Feasts £4.00
This is one of the smaller-scale pieces from the 1610 collection. The text has been derived from Ecclesiasticus 50, 6-7 and ‘Marianised’ in particular by references from the Song of Songs.
EMP1622 Croce, Giovanni Quasi stella matutina
ATB (+SATB) bc Marian Feasts £3.00
This is one of the smaller-scale pieces from the 1610 collection. The text has been derived from Ecclesiasticus 50, 6-7 and ‘Marianised’ in particular by references from the Song of Songs. This is the ripieno score.
EMP1636 Croce, Giovanni Quasi stella matutina
ATB (+SATB) bc Marian Feasts £8.00
This is one of the smaller-scale pieces from the 1610 collection. The text has been derived from Ecclesiasticus 50, 6-7 and ‘Marianised’ in particular by references from the Song of Songs. This is the set of parts for the ripieno chorus and basso continuo.
EMP0848 Croce, Giovanni Resonent organa
SATTB (+SATB) bc Christmas £4.75
Another Marian piece from the 1610 collection, which has solos for each of the tenor soloists, a trio SAB and the grand tutti with the Ripieno.
EMP1627 Croce, Giovanni Resonent organa
SATTB (+SATB) bc Christmas £4.00
Another Marian piece from the 1610 collection, which has solos for each of the tenor soloists, a trio SAB and the grand tutti with the Ripieno. This is the score for the ripieno chorus.
EMP1641 Croce, Giovanni Resonent organa
SATTB (+SATB) bc Christmas £8.00
Another Marian piece from the 1610 collection, which has solos for each of the tenor soloists, a trio SAB and the grand tutti with the Ripieno. This is the set of parts for the ripieno chorus and basso continuo.
EMP0853 Croce, Giovanni Sit nomen Domini benedictum
ATB (+SATB) bc Holy Name of Jesus (Sunday between Jan. 1 and Epiphany) £4.00
A composite text drawing on references in several psalms.