Edition Michael Procter

Renaissance choral music

Editions of sacred renaissance vocal music by the late Michael Procter

Most recent pieces Sorted by composer Sorted by title Sorted by scoring Sorted by liturgical feast Sorted by liturgical function Sorted by catalogue number

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Editions of sacred
renaissance music by the late Michael Procter.
Revised by Robin Rigby and available from
The Peacock Press
The Peacock Press at
Jacks, Pipes & Hammers
For copies (not digital copies), please contact
Jacks, Pipes and Hammers
Jacks, Pipes & Hammers
telephone +44 1422 882751
EMP0951 Palestrina, Giovanni Pierluigi da Missa Mantovana (Missa sine nomine)
AAAT General Use £7.10
One of the masses composed for the chapel of the Gonzagas in Mantua between 1568 and 1579. Unlike the other settings, this Mass is through-composed, and it is the only one for 'equal voices'. This version is at the original pitch for male voices AAAT.
EMP0952 Palestrina, Giovanni Pierluigi da Missa Mantovana (Missa sine nomine)
TTTB General Use £7.90
One of the masses composed for the chapel of the Gonzagas in Mantua between 1568 and 1579. Unlike the other settings, this Mass is through-composed, and it is the only one for 'equal voices'. This version is transposed down a fourth for male voices TTTB.
EMP0961 Procter, Michael Ubi caritas et amor
SABa Offertorium, In Cena Domini (Maundy Thursday, Gründonnerstag) £2.50
A simple three-voice arrangement of the plainsong sung either at the Offertory or during the washing of feet at the Mass of the Last Supper.
EMP0962 Croce, Giovanni Cantate Domino canticum novum
SATB Motet general, General Use £3.00
A transposed version a fourth higher than the original, ideal for modern mixed choirs.
EMP0963 Croce, Giovanni Laudate Dominum in sanctis eius Ps. 150
SATB SATB Psalm at Lauds, Easter £4.00
This version is given a third higher than the original.
EMP0964 Croce, Giovanni Laudans exultet gaudio
SATB SATB St Francis (of Assisi) (October 4) £4.00
A version of the piece with the text adjusted to suit Feasts of St Francis (Franciscus).
EMP0965 Croce, Giovanni Laudans exultet gaudio
SATB SATB St James (July 25) £4.00
A version of the piece with the text adjusted to suit the Feast of St James (Jacobus).
EMP0968 Croce, Giovanni Lamentations B (Good Friday)
SATB Lesson (Lesung), Good Friday (Karfreitag) £4.00
The set of three Lectiones from the Lamentations for Good Friday, from Croce's first set of Lamentations 1603.
EMP0981 Gabrieli, Andrea Domine exaudi orationem meam (Ps. 142)
SSATTB Psalm, Penitential £4.75
The seventh Penitential Psalm, in this version at the pitch of the high clef original.
EMP0984 Gabrieli, Andrea Miserere mei Domine (Ps. 50)
SAATBB Psalm, Penitential £5.00
The fourth Penitential Psalm (Ps. 50). This version is only a tone lower than the high-clef original and thus better suited to mixed voices.
EMP0989 Croce, Giovanni Deus in adjutorium meum intende
SATB SATB Versicle and Response, General Use £3.00
This setting is included in a manuscript copy of Croce's Vespers music in the Staats- und Stadtbibliothek Augsburg. This version is at the original high pitch.
EMP0993 Croce, Giovanni Percussit Saul mille
SATB SATB Respond, Sunday after Pentecost £4.00
This version is a fourth lower than the high-clef original, ideal for performance with cornetts and sackbuts.
EMP0994 Croce, Giovanni Missa Percussit Saul mille
SATB SATB bc Mass Ordinary, General Use £9.50
A magnificent mass, a parody on Croce's own motet. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version is at the original high pitch and omits the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part.
EMP0995 Croce, Giovanni Percussit Saul mille
SATB SATB Respond, Sunday after Pentecost £4.00
A splendid double-choir piece, with the text 'Saul slew his thousands but David his ten thousands.' Model for the grand parody mass. This version is at the high-clef original pitch.
EMP1000 Byrd, William Missa 3 vocum
ATB Mass Ordinary, General Use £5.00
The well-known 'Mass for three voices' is an ad aequales piece (with 'close-together' clefs, in this case MAT) and is available at various pitches. This version is at the original pitch, suitable for male voices.
EMP1001 Byrd, William Missa 3 vocum
SAT Mass Ordinary, General Use £5.00
The well-known 'Mass for three voices' is an ad aequales piece (with 'close-together' clefs, in this case MAT) and is available at various pitches. This version is a third higher than the original pitch.
EMP1002 Byrd, William Missa 3 vocum
SSA Mass Ordinary, General Use £5.00
The well-known 'Mass for three voices' is an ad aequales piece (with 'close-together' clefs, in this case MAT) and is available at various pitches. This version is a fifth higher than the original pitch, suitable for female or boys' voices.
EMP1003 Byrd, William Missa 3 vocum
TBaB Mass Ordinary, General Use £5.00
The well-known 'Mass for three voices' is an ad aequales piece (with 'close-together' clefs, in this case MAT) and is available at various pitches. This version is a fifth lower than the original pitch, suitable for male voices.
EMP1004 Croce, Giovanni Buccinate
SATB SATB Motet general, Ascension £9.25
A splendid piece appropriate for the Ascension but presumably originally written for the annual Lepanto celebration at S. Giustina, for which the phrase 'exultate Deo adjutori nostro' would have been very apposite. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices.
EMP1006 Croce, Giovanni Omnes gentes
SATB SATB Motet general, Ascension £9.00
A magnificent double-choir setting of the familiar Ascensiontide text. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices.
EMP1007 Croce, Giovanni Laudate Dominum in sanctis eius Ps. 150
SATB SATB Psalm at Lauds, Easter £9.00
Croce provided settings of all five 'Cinque Laudate' psalms in his Vespertina collection. This setting of the 'other' Laudate psalm (which is also sung at the Office of the Dead) is from the Motetti 8 voci of 1594. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices.
EMP1009 Croce, Giovanni Percussit Saul mille
SATB SATB Respond, Sunday after Pentecost £9.75
This version is a fourth lower than the high-clef original, ideal for performance with cornetts and sackbuts. A text found in no other setting, its belligerent - indeed pugnacious - character makes it apparent that it was written either for the annual Lepanto commemoration, or - most likely - to celebrate the Habsburg victory at Sisak in 1593. The source collection, Croce's first book of double-choir motets of 1594, was dedicated to Raimondo Della Torre, the Ambassador to Venice of the Holy Roman Empire. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices.
EMP1010 Croce, Giovanni Missa Percussit Saul mille
SATB SATB Mass Ordinary, General Use £12.50
A magnificent mass, a parody on Croce's own motet. The piece is available with or without the two-part 'Partidura', the original continuo or director's part. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version, the one best suited for performance with cornetts and sackbuts, is a 4th lower than the original high pitch, here without the Partidura. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. Organ part available separately.
EMP1013 Anonymous De profundis
SATB Psalm, Penitential £4.00
This setting of the penitential psalm has become well-known in the attribution to Josquin which is now widely rejected. No reason to stop singing the piece! This version is transposed up a 4th from the original pitch.
EMP1014 Various Three French Masses
SATB Mass Ordinary, General Use £11.10
Three masses by French composers.
EMP1018 Croce, Giovanni Missa Secunda tertii toni
TrMAABa Mass Ordinary £6.30
The second of three short masses for five voices published in 1596, which were reprinted together with a fourth, for 6 voices, in 1599. Here a 3rd below the original pitch
EMP1019 Croce, Giovanni Missa Secunda tertii toni
TrMAABa Mass Ordinary £6.30
The second of three short masses for five voices published in 1596, which were reprinted together with a fourth, for 6 voices, in 1599. Here at original pitch
EMP1024 Palestrina, Giovanni Pierluigi da Missa Ut Re Mi Fa
SSATTB Mass Ordinary, General Use £9.50
This mass, together with the Missa BMV, forms the 6-part section of Palestrina's Third Book of masses for 4, 5 and 6 voices (1570). There exists a manuscript in the library of the Sistine Chapel, giving the date as 1563, so we may suppose the mass to date from Palestrina's return, after his difficult years at S. John Lateran, to S. Maria Maggiore. As well as being unusually scored - for SSAATB - it is his only Hexachord Mass, and displays his considerable gifts: the second Superius sings only the cantus firmus, ascending and descending, either in the natural or the hard hexachord, but in an enormously varied and varying series of rhythms. In the final Agnus a third Alto sings in canon a fifth below the second Superius. The edition has now been revised and includes the Credo. Given here a tone lower than the high-clef original.
EMP1026 Weelkes, Thomas Gloria in excelsis Deo
SSAATB Anthem, Christmas £4.00
This is one of the best-known pieces of English church music, but it has always been presented a third higher than the original. It is also available from us at that pitch, but this version is at the original pitch, suitable for AATTBaB etc.
EMP1027 Weelkes, Thomas Gloria in excelsis Deo
SSAATB Anthem, Christmas £4.00
This is one of the best-known pieces of English church music. Our edition seems to be the only one which is available at the original pitch, suitable for male voices SSAATB, but we also provide it a third higher, as here.
EMP1028 Elgar, Sir Edward Carol: I sing the birth
SATB Christmas £3.00
This little-known carol is a setting of the text by Ben Jonson, with added Alleluias. It dates from 1928, in the final phase of Elgar's life, which may be why the original print (Novello's Musical Times supplement December 1928) was not properly proof-read: it contains several wrong notes. This edition has been made afresh from Elgar's two manuscripts in the British Library.
EMP1030 Procter, Michael Ich rufe dich an
SAB Introitus, 29th Sunday in Ordinary Time £2.50
Einfache 3-stimmige Vertonung des Eröffnungsverses. Für die Choralschola St Michael, Weingarten.
EMP1031 Byrd, William Alleluia. Ave Maria
SSATB Introitus, Votive Mass BVM £4.00
The Greater Alleluia for the Mass of the Annunciation when this falls in Eastertide. Byrd printed it out of order in the Gradualia but in the form in which it there appears it belongs to the Annunciation. Here at original high-clef pitch.
EMP1032 Palestrina, Giovanni Pierluigi da Hodie Christus natus est
SSMA Magnificat Antiphon, Christmas £3.00
This simple setting is from a holograph manuscript at S. Giovanni Laterano. Its original cleffing (TrTrMA) is an 'ad aequales' combination allowing for transposition to suit the available forces. Other versions are available for different combinations of voices, this version is at the original pitch.
EMP1033 Palestrina, Giovanni Pierluigi da Hodie Christus natus est
TTBB Magnificat Antiphon, Christmas £3.00
This simple setting is from a holograph manuscript at S. Giovanni Laterano. Its original cleffing (TrTrMA) is an 'ad aequales' combination allowing for transposition to suit the available forces. Other versions are available for different combinations of voices, this version is an octave below the original pitch.
EMP1034 Palestrina, Giovanni Pierluigi da Hodie Christus natus est
SATB Magnificat Antiphon, Christmas £3.00
This simple setting is from a holograph manuscript at S. Giovanni Laterano. Its original cleffing (TrTrMA) is an 'ad aequales' combination allowing for transposition to suit the available forces. Other versions are available for different combinations of voices, this version is a fifth below the original pitch.
 
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