Edition Michael Procter

Renaissance choral music

Editions of sacred renaissance vocal music by the late Michael Procter

Editions of sacred
renaissance music by the late Michael Procter.
Revised by Robin Rigby and available from
The Peacock Press
The Peacock Press at
For copies (not digital copies), please contact
Jacks, Pipes and Hammers
telephone +44 1422 882751
EMP0879 Missa Decantabat populus
SATB SATB bc Mass Ordinary, General Use £8.70
One of the three double-choir masses of Croce published in 1596 and presumably composed in the first instance for St Mark's. This simple but effective setting is a parody on Croce's own motet of 1594. Here printed with the 'Partidura' continuo/director's short score which is included in the Quatercentenary Edition Volume II. A version without the Partidura is also available.
EMP0329 Missa Percussit Saul mille
SATB SATB bc Mass Ordinary, General Use £9.50
A magnificent mass, a parody on Croce's own motet. Our standard version (EMP0869) is a tone lower than the high-clef original (as here) but omits the 'Partidura' included in this version. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part.
EMP0869 Missa Percussit Saul mille
SATB SATB Mass Ordinary, General Use £9.50
A magnificent mass, a parody on Croce's own motet. Our standard version (this one) is a tone lower than the high-clef original and omits the 'Partidura'. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part.
EMP0927 Missa Percussit Saul mille
SATB SATB Mass Ordinary, General Use £9.50
A magnificent mass, a parody on Croce's own motet. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version is a 4th lower than the original high pitch, best suited for performance with cornetts and sackbuts, without the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part.
EMP0945 Missa Percussit Saul mille
SATB SATB bc Mass Ordinary, General Use £9.50
A magnificent mass, a parody on Croce's own motet. Our standard version (EMP0869) is a tone lower than the high-clef original and omits the 'Partidura'. This version is a 4th lower than the original high pitch, best suited for performance with cornetts and sackbuts, and includes the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part.
EMP0946 Missa Percussit Saul mille
SATB SATB Mass Ordinary, General Use £9.50
A magnificent mass, a parody on Croce's own motet. Our standard version (EMP0869) is a tone lower than the high-clef original and omits the 'Partidura'. This version is at the original high pitch, with the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part.
EMP0994 Missa Percussit Saul mille
SATB SATB bc Mass Ordinary, General Use £9.50
A magnificent mass, a parody on Croce's own motet. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version is at the original high pitch and omits the Partidura. The piece is available at other pitches, with or without the two-part 'Partidura', the original continuo or director's part.
EMP1010 Missa Percussit Saul mille
SATB SATB Mass Ordinary, General Use £12.50
A magnificent mass, a parody on Croce's own motet. The piece is available with or without the two-part 'Partidura', the original continuo or director's part. Our standard version is a tone lower than the high-clef original and omits the 'Partidura'. This version, the one best suited for performance with cornetts and sackbuts, is a 4th lower than the original high pitch, here without the Partidura. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices. Organ part available separately.
EMP0699 Missa Prima sexti toni
SATTB Mass Ordinary £6.00
The second of three short masses for five voices published in 1596, which were reprinted together with a fourth, for 6 voices, in 1599.
EMP0663 Missa Secunda tertii toni
TrMAABa Mass Ordinary £6.30
The second of three short masses for five voices published in 1596, which were reprinted together with a fourth, for 6 voices, in 1599. This is our standard version, a 4th below the original pitch
EMP1018 Missa Secunda tertii toni
TrMAABa Mass Ordinary £6.30
The second of three short masses for five voices published in 1596, which were reprinted together with a fourth, for 6 voices, in 1599. Here a 3rd below the original pitch
EMP1019 Missa Secunda tertii toni
TrMAABa Mass Ordinary £6.30
The second of three short masses for five voices published in 1596, which were reprinted together with a fourth, for 6 voices, in 1599. Here at original pitch
EMP0745 Missa Sopra la Battaglia
SATB ATTB Mass Ordinary, General Use £7.90
One of the three masses for double choir. Like the Missa Percussit Saul mille, this setting was probably composed to be sung on the anniversary of a military victory. It is of course a parody on Janequin's famous piece. In this version the mass is presented without the 'Partidura' organ part.
EMP0697 Missa Tertia octavi toni
SATTB Mass Ordinary £6.30
The third of the short masses for five voices published in 1596, which were reprinted together with a fourth, for 6 voices, in 1599.
EMP0751 Missa super Jubilate Deo
Four choirs Mass Ordinary, General Use £18.50
This only four-choir mass by Croce was apparently written at the request of Archduke Ferdinand, later Emperor Ferdinand II, who met Croce while in Venice in 1598. A parody, whose source has not yet been identified, it is a magnificent piece whose ideal scoring would seem to be (I) a vocal choir SATB, (II) solo Alto/Tenor and three trombones, (III) solo Baritone and three higher instruments, the top one probably a cornett, (IV) solo Alto and three low instruments such as curtal/dulcian. However, all but the highest and lowest parts are capable of being sung, and our edition provides underlay for all parts. Performing material available includes full score, chorus scores and single voice/instrument parts: please ask for details. The price quoted is for the full score
EMP0757 Missa super Jubilate Deo
Four choirs Mass Ordinary, General Use £6.00
Chorus score Chorus I
EMP0758 Missa super Jubilate Deo
Four choirs Mass Ordinary, General Use £6.00
Chorus score Chorus II
EMP0759 Missa super Jubilate Deo
Four choirs Mass Ordinary, General Use £6.00
Chorus score Chorus III
EMP0760 Missa super Jubilate Deo
Four choirs Mass Ordinary, General Use £6.00
Chorus score Chorus IV
EMP0761 Missa super Jubilate Deo
Four choirs Mass Ordinary, General Use £48.50
Set of parts for all 16 voices including alternative clefs (25 parts)
EMP0639 O Viri o Galilaei
SATB SATB Motet general, Ascension £4.00
A fine double-choir piece whose text has not yet been identified, but is a rhymed version of the Introit for the Ascension. Possibly a Sequence.
EMP0840 O viri Veneti
SATTB (+SATB) bc Assumption BVM (August 15) £4.75
This is one of the pieces assumed to have been composed for performance at one of the Venetian Scuole Grande, where Croce was in charge of the musicians during his position as Vice-Maestro at San Marco. It has a text which can be adapted to suit any Saint, male or female (the published text refers to 'beatus N/beata N' for example), and includes a prayxer for 'fraternitatem istam', i.e. this Confraternity. The piece is available in adapatations to any Saint, this version has the original text.
EMP1136 O viri Veneti
SATTB (+SATB) bc Assumption BVM (August 15) £4.75
This is one of the pieces assumed to have been composed for performance at one of the Venetian Scuole Grande, where Croce was in charge of the musicians during his position as Vice-Maestro at San Marco. It has a text which can be adapted to suit any Saint, male or female (the published text refers to 'beatus N/beata N' for example), and includes a prayxer for 'fraternitatem istam', i.e. this Confraternity. The piece is available in adapatations to any Saint, this version is in honour of the Blessed Virgin Mary.
EMP1625 O viri Veneti
SATTB (+SATB) bc Assumption BVM (August 15) £3.00
This is one of the pieces assumed to have been composed for performance at one of the Venetian Scuole Grande, where Croce was in charge of the musicians during his position as Vice-Maestro at San Marco. It has a text which can be adapted to suit any Saint, male or female (the published text refers to 'beatus N/beata N' for example), and includes a prayxer for 'fraternitatem istam', i.e. this Confraternity. This version is in honour of the Blessed Virgin Mary. This is the ripieno score.
EMP1639 O viri Veneti
SATTB (+SATB) bc Assumption BVM (August 15) £8.00
This is one of the pieces assumed to have been composed for performance at one of the Venetian Scuole Grande, where Croce was in charge of the musicians during his position as Vice-Maestro at San Marco. It has a text which can be adapted to suit any Saint, male or female (the published text refers to 'beatus N/beata N' for example), and includes a prayxer for 'fraternitatem istam', i.e. this Confraternity. This version is in honour of the Blessed Virgin Mary. This is the set of parts for the ripieno chorus and basso continuo.
EMP0331 Omnes gentes
SATB SATB Motet general, Ascension £4.00
A magnificent double-choir setting of the familiar Ascensiontide text.
EMP1006 Omnes gentes
SATB SATB Motet general, Ascension £9.00
A magnificent double-choir setting of the familiar Ascensiontide text. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices.
EMP0330 Percussit Saul mille
SATB SATB Respond, Sunday after Pentecost £4.00
A splendid double-choir piece, with the text 'Saul slew his thousands but David his ten thousands.' Model for the grand parody mass. This standard version is a tone lower than the high-clef original.
EMP0993 Percussit Saul mille
SATB SATB Respond, Sunday after Pentecost £4.00
This version is a fourth lower than the high-clef original, ideal for performance with cornetts and sackbuts.
EMP0995 Percussit Saul mille
SATB SATB Respond, Sunday after Pentecost £4.00
A splendid double-choir piece, with the text 'Saul slew his thousands but David his ten thousands.' Model for the grand parody mass. This version is at the high-clef original pitch.
EMP1009 Percussit Saul mille
SATB SATB Respond, Sunday after Pentecost £9.75
This version is a fourth lower than the high-clef original, ideal for performance with cornetts and sackbuts. A text found in no other setting, its belligerent - indeed pugnacious - character makes it apparent that it was written either for the annual Lepanto commemoration, or - most likely - to celebrate the Habsburg victory at Sisak in 1593. The source collection, Croce's first book of double-choir motets of 1594, was dedicated to Raimondo Della Torre, the Ambassador to Venice of the Holy Roman Empire. Here offered as a set of parts (each choir consisting of cornett, 2 sackbuts and bass sackbut or curtal/dulcian) to be played with the voices.
EMP1330 Plaudite psallite
SMAT SATB ATBB £10.30
EMP0845 Psallite Deo nostro
MATTTB (+MATB) bc Antiphon, Vigil of Epiphany £4.75
This is one of the larger-scale pieces from the 1610 collection, with sections for different groups of soloists and no less than five tuttis with the Ripieno.
EMP1630 Psallite Deo nostro
MATTTB (+MATB) bc Antiphon, Vigil of Epiphany £3.00
This is one of the larger-scale pieces from the 1610 collection, with sections for different groups of soloists and no less than five tuttis with the Ripieno. This is the ripieno score.
EMP1644 Psallite Deo nostro
MATTTB (+MATB) bc Antiphon, Vigil of Epiphany £8.00
This is one of the larger-scale pieces from the 1610 collection, with sections for different groups of soloists and no less than five tuttis with the Ripieno. This is the set of parts for the ripieno chorus and basso continuo.
EMP0846 Quasi stella matutina
ATB (+SATB) bc Marian Feasts £4.00
This is one of the smaller-scale pieces from the 1610 collection. The text has been derived from Ecclesiasticus 50, 6-7 and ‘Marianised’ in particular by references from the Song of Songs.