Edition Michael Procter

Renaissance choral music

Catalogue of editions by the late Michael Procter

Composers

Singers around the world will be pleased to know that Edition Michael Procter is available again, following the sad death of Michael Procter in 2012. His large collection of sacred choral music by renaissance composers is a very valuable resource for choirs, churches and music lovers.

There are an estimated 850 pieces in the catalogue (including versions offered in different transpositions), mostly transcribed by Michael from original sources in libraries all over Europe. These will be verified and re-catalogued over the next few years.

Orders and enquiries are welcome now at info@edition-mp.com and will be produced and sold by Peacock Press.

A note on prices

While the process of verification goes on, please treat these prices as indicative. Up to date prices can be obtained from info@edition-mp.com

Information and orders

For information and orders please contact

Scoring legend

For a popup explanation of the scoring symbols click any of the legend icon icons.

You can find composer biographies where you see the biography icon icon.

Our partner site ItalianMadrigal.com offers lots more Italian madrigals.



Many of these editions can be read and heard online. Just click where you see the Score icon icon. To see the music, you will need Sibelius Scorch, which is available free.

Many of these editions can be read, heard and downloaded at ScoreExchange.com

Title Catalogue number Price
de Rore, Cipriano
de Rore, Cipriano (ca 1515 - 1565) Show the biography
Descendi in hortum meum EMP0724 £3.75
SSAATTB Scoring legend Assumption BVM (August 15) - Antiphon - Ed: Keith Bennett and Michael Procter ISMN M-2056-0724-1
A lovely Song of Songs setting in the unusual scoring for 7 voices, offered a tone lower than the original pitch.
Missa Praeter rerum seriem EMP0513 £6.60
SSATTBB Scoring legend Holy Trinity - Mass Ordinary ISMN M-2056-0513-1
A magnificent setting based on Josquin's motet (A Mary Sequence) The work was composed for Duke Ercole II of Ferrara, and in the only surviving source (Munich Mus MS 46) one voice sings throughout the mass the text 'Hercules Secundus Dux Ferrariae Quartus vivit et vivet.' In this version prepared for liturgical performance in San Marco, Venice, alternative texts were supplied, either setting sections of the Ordinary or using a new text in honour of Holy Trinity. The work is offered here without the Credo, which was not sung in San Marco.